The term “set-up” is often misunderstood within the string instrument industry. A true professional setup, performed by a qualified luthier, is a highly specialised process that requires years of training, experience, and precision craftsmanship.
Every violin, viola, cello, or double bass is unique. Differences in wood species, density, weight, grain orientation, thickness, angles, and tolerances mean that no two instruments respond the same way. A professional luthier setup must be customised for each individual instrument to optimise both sound quality and playability.
This is particularly critical for student violins and beginner instruments, where a poor setup can hinder progress, cause physical discomfort, and discourage long-term musical development. A correctly adjusted instrument gives young players the best possible foundation for success and enjoyment.
Beyond the musical advantages, a professional instrument setup also provides clear financial and reputational benefits for retailers and schools. A properly executed violin setup reduces post-sale issues, minimises non-warranty returns, and ensures that each instrument has been tested and played before sale.
Offering professionally prepared instruments positions your business as a trusted, knowledgeable, and reliable source in the eyes of music teachers, schools, parents and students
Paytons offer professional set-ups at affordable prices which address the five key areas of the instrument over a twenty step process.
This includes:
Paytons have developed specific set-ups for all Enrico, Raggetti, Gliga and J. Francis instruments to deliver a great sounding and playing instrument at the end of the process.
The bridge shape, thickness and height are crucial for the student to be able to play each string individually and clearly.
The soundpost is a vital part of the instrument as it facilitates the transference of sound vibration from the top plate to the bottom and throughout the whole instrument. It must be the correct diameter, the perfect length, and the angle of both ends must match the slope of the belly and back inside the instrument. Using a soundpost setter correctly requires immense skill and countless hours of practice.
Pegs, nut and fingerboard, all made from ebony, must be worked on using specialised tools. The 1/30 taper of the violin pegs must match the holes in the peg box exactly and there needs to be adequate clearance behind each peg to clear the wound-on string. Once a perfect fit is achieved the pegs are then cut flush with the outside of the peg-box, polished and then ‘soaped’ to ensure they turn smoothly and grip well.
